Rosas pixinguinha biography
- Alfredo da Rocha Viana Filho, better known as Pixinguinha was a Brazilian composer, arranger, flutist, and saxophonist player born in Rio de Janeiro.
- Pixinguinha started with great self-confidence and improvised in the flute feeling the same peacefulness he felt when playing in the choro jam sessions with his.
- Rosa by Pixinguinha (1897-1973).
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Pixinguinha (1897-1973) – Genius & Soul
“If you have 15 volumes to talk about all of Brazilian popular music, you can be sure that it is not enough. But, if you have space for just one word, write it down quickly: Pixinguinha.”
– Ary Vasconcellos, Brazilian music critic and historian.
This article was first published in Mandolin Quarterly, 2004, Vol. 9 Nr. 2.
Alfredo da Rocha Vianna Jr. (1897-1973) is best known by his nickname “Pixinguinha,” as the composer who brought chôro to its peak in Brazil and introduced it to popular acclaim in Europe. He helped begin samba, explored jazz and ragtime – discovered while performing in Paris – , and added saxophone and brass instruments to the choro ensemble. He orchestrated Carmen Miranda’s hit recordings in the 1930’s, popularizing Brazilian music in the United States, and added sophisticated harmony and counterpoint to choro in his compositions and through improvisation in his recordings and performances.
As a black performer and bandleader, he overcame racial discrimination to define
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Pixinguinha
Alfredo da Rocha Viana Filho, known as Pixinguinha (Portuguese: [piʃĩˈɡiɲɐ]; April 23, 1897 – February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha composed popular music, particularly within the genre of music known as choro. By integrating the music of the older choro composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced choro to a new audience and helped to popularize it as a uniquely Brazilian genre. He was also one of the first Brazilian musicians and composers to take advantage of radio broadcasting technology and studio recording. Pixinguinha composed dozens of choros, including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero". |
Birth and Death Data: Born April 23, 1897 (Rio de Janeiro), Died February 7, 1973 (Rio de Janeiro)
Date Range of DAHR Recordings: 1919 - 1947
Roles Represented in DAHR: composer, songwriter, saxophone, leader, flute, arr
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Pixinguinha
Brazilian composer (1897 - 1973)
Pixinguinha | |
|---|---|
| Birth name | Alfredo da Rocha Viana Filho |
| Also known as | Pizinguim, Bexiguinha, Pexinguinha, Pixinguinha |
| Born | (1897-04-23)April 23, 1897 |
| Origin | Rio de Janeiro, Brazil |
| Died | February 17, 1973(1973-02-17) (aged 75) |
| Genres | Choro, Maxixe, Samba, Waltz, Jazz |
| Occupation(s) | Songwriter, composer, arranger, instrumentalist |
| Instrument(s) | Saxophone, flute |
| Years active | 1911–1973 |
| Website | pixinguinha.com.br |
Musical artist
Alfredo da Rocha Viana Filho, better known as Pixinguinha (Portuguese:[piʃĩˈɡiɲɐ]) was a Brazilian composer, arranger, flutist, and saxophonist player born in Rio de Janeiro. He is known for his contributions to Brazilian popular music and especially for his role in the development of choro, a genre of Brazilian music that blends Afro-Brazilian rhythms with European influences. His best-known compositions include "Carinhoso", "Glória", "Lamento", and "Um a Zero".[1]
Pixinguinha merged traditional music of 19th-century composers with moder
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