Giovanni bologna biography
- Giambologna (Giovanni da Bologna, Jean Boulogne), Flemish-born Italian sculptor.
- Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble.
- An Italian sculptor in all but birth, Giambologna transformed the Florentine Mannerism of the mid-16th century into a style of European significance.
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Giambologna (Giovanni da Bologna; 1529–1608)
GIAMBOLOGNA (Giovanni da Bologna; 1529–1608), Flemish sculptor and architect, active in Italy. Born in Douai, Giambologna received his early training in the shop of Jacques Du Broeucq, a Flemish sculptor, engineer, and minor architect who had spent time in Italy. Probably with his master's encouragement, the young artist traveled around 1551 to Rome, where he made wax and clay sketches after the city's best artworks. Around 1553, while passing through Florence on his way back to Flanders, he met the banker Bernardo Vecchietti, who brought the young sculptor into his household. Through Vecchietti's connections, Giambologna began around 1558 to receive Medici commissions; by 1561, he was a salaried court artist, and soon thereafter he became the dukes' preeminent sculptor. Though he traveled to Bologna in 1562 (to work on his Neptune Fountain), to Rome in 1572 (to study and acquire antiquities), and to Genoa in 1579 (to accept the commission for the Grimaldi family chapel in the subsequently destroyed church of S. Francesco di
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Giovanni da Bologna
Giovanni da Bologna, often known by his nickname Giambologna (1529-1608), was a Flemish sculptor, celebrated for his marble and bronzestatuary in a late Renaissance or Mannerist style.
Early life and education
Giambologna was born as Jean de Boulogne in 1529 in Douai, in the Flanders region of what is now Belgium. After studying in Antwerp with the leading Flemish sculptor Jacques Dubroeucq, he traveled to Italy in 1550 to further study Italian Renaissance sculpture.
Career and Artistic Works
In Italy, he adopted an Italianized version of his name and eventually settled in Florence. There, he attracted the attention of the powerful Medici family, who became his principal patrons. His work reflected the grandeur and opulence of the Medici court.
Throughout his career, Giambologna completed several iconic sculptures and works that are remembered today for their exceptional beauty, elegance, and technical mastery:
- Rape of the Sabine Women (1579–1583): This is probably his most famous work, located in the Loggia dei Lanzi in Florence. The sculpture is
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Giambologna
Flemish-born Mannerist sculptor in Italy
Giambologna (1529[1] – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
Biography
Giambologna was born in Douai, Flanders (then in the Habsburg Netherlands and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq,[2] he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna.
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