Jean francois fouilhoux biography
- His childhood was spent in Corbeil, Essonne, where he was born in 1947.
- FOUILHOUX Jean-François, ceramic, permanent artist of Galerie Capazza since 2000.
- Jean-François Fouilhoux is a French Postwar & Contemporary artist who was born in 1947.
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FOUILHOUX Jean-François, ceramic, permanent artist of Galerie Capazza since 2000
Since my installation in Mont-près-Chambord in 1976, I study celadon, seeking unobtainable information in books.
Ten years later, in 1986, a weighing error leads me towards this mesmerizing, mythical, satin and translucent material, to which I still devote all my mind and all my time. Although today I regained the technical principles that govern the formation of the famous "fat reflection”, I multiply tirelessly testing, always looking for a new perfection in the quality of a satin tone or in the shade of a tone.
Celadon provides a sensation of sweetness, a sense of infinite depth. In contrast, this serenity allows me to exalt tension, some drama in the complex, vivid and sometimes twisted sculptures.
The outside parts are carved from a block of very soft clay. Forms barely organized but dynamic, abundant and nervous, drawn in a quick gesture, then take birth, retaining at their surface traces of this brutal and passionate genesis.
After an early drying, the clay is hardened a 6 November 2021 — 6 February 2022 Jean François Fouilhoux is one of the rare Western artists recognised as a Master of Ceramics in China. For over 30 years, his art and style has been devoted to mastering Celadon pottery. It was in these thousand-year-old, delicate ceramics that Jean-François Fouilhoux carved his genius. His art is akin to calligraphy, with his pencil a flexible blade he could bend at will, and a clay wall as a medium. “There are two approaches to my work,” he explains. “The first is the material, the Chinese Celadon ceramics that triggered thirty years of research to master this technique, which traps the light and gives off incredible reflections. The second is my way of sculpting. We can compare it to calligraphy, to signatures left in the earth, with the same nerves, tension, dynamism and characteristic expressions of beautiful writing. » La Piscine will present the latest pieces by this exceptional artist. Curator: Sylvette Botella-Gaudichon The design was made possible thanks to generous su Origin of a fascination Born in 1947, Jean-François Fouilhoux has been involved in the art of fire for over thirty years. In 1969, he discovered the celadons in the Calmann room of the Musée des arts asiatiques, the Musée Guimet: this was the starting point of his fascination with this technique and this colour. The researcher He therefore set out in search of the celadon of the Southern Song (1127-1279), rediscovering it to better reinvent it. “I tried to imagine how a 12th century Chinese potter could reason and work. Although it appeared in China in the 2nd century, celadon enjoyed a golden age that extended from the 11th to the 14th century, beginning with the Song and then Yuan dynasties. The parts manufactured, initially utilitarian, were increasingly destined for the sole pleasure of contemplation. The history of the technique gives us an astonishing palette of colours, going as far as pale green, silvery, almost transparent. Many tests have allowed him to obtain this glaze that the Chinese call fenqing “blue or po
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Jean-François Fouilhoux: The Song of the Earth
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20th Century Celadon Cup by Fouilhoux
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